Terkko Navigator / Theatre Journal

Necroperformance: Cultural Reconstructions of The War Body by Dorota Sajewska (review)

Frida… A Self Portrait by Vanessa Severo (review)

The Snowy Day: An Opera for all by Joel Thompson (review)

Bozal by Richard Viqueira (review)

Women Adapting: Bringing Three Serials of The Roaring Twenties to Stage and Screen by Bethany Wood (review)

A Great Leap by Lauren Yee (review)

Luis Enrique Gutiérrez Ortiz Monasterio: A Playwright with a Contemporary Vision Rooted in Antiquity

Editorial Comment: Specters, States, and Solidarities

Luis Enrique Gutiérrez Ortiz Monasterio: dramaturgo de mirada contemporánea con subsuelo de la antigüedad

Neoliberal Transactions: Staging Prostitution in the Mexican Nation

Director Deena Selenow and Playwright Antoinette Nwandu in Conversation

To Be Free of Air: Narrative and Negation in the Alexander Plays

Abolition Dramaturgies: Reformance, Waywardness, and the End of the World

Haunting "Presences": A Discourse on Dreams and Dedications in Francis Imbuga's Drama

On the Benefits of Plague: Polish Fringe Theatre in 2020

Party in The Bardo by Laurie Anderson and Jason Moran (review)

Beckett Sa Chreig: Laethanta Sona (Happy Days) by Samuel Beckett (review)

Rethinking Chinese Socialist Theaters of Reform: Performance Practice and Debate in the Mao Era ed. by Xiaomei Chen et al. (review)

Against the Current and into The Light: Performing History and Land In Coast Salish Territories and Vancouver's Stanley Park by Selena Couture (review)

Bernard Shaw and The Censors: Fights and Failures, Stage and Screen by Bernard F. Dukore (review)

Wild: A Musical Becoming by Eve Ensler (review)

Acht Ungleich Eins by Rainer Werner Fassbinder (review)

The Natural Body in Somatics Dance Training by Doran George (review)

Corporeal Politics: Dancing East Asia ed. by Katherine Mezur and Emily Wilcox (review)

Concerts For Kids: Story Pirates dir. by Brendan O'Grady (review)

Choreographing in Color: Filipinos, Hip-Hop, and The Cultural Politics of Euphemism by J. Lorenzo Perillo (review)

Performing Ice ed. by Carolyn Philpott et al. (review)

100% Hong Kong by Rimini Protokoll (review)

Scenes From Bourgeois Life by Nicholas Ridout (review)

Theatremachine: Tadeusz Kantor in Context ed. by Magda Romanska and Kathleen Cioffi (review)

Editorial Comment: Feminist Methodologies at Play

We're All in This Together: Digital Performances and Socially Distanced Spectatorship

Being a Modrzejewska's Fangirl: Female Fandom and Celebrity in Nineteenth-Century Polish Theatre

What Is Wanda but Witches Persevering? Palimpsests of American Witches in WandaVision

Dancing Shay-Shay: Katherine Dunham, Marcus Garvey, and Jamaican Decolonization

Six by Toby Marlow and Lucy Moss (review)

Sloppy Bonnie: A Roadkill Musical for the Modern Chick by Krista Knight and Barry Brinegar (review)

The Plague by Albert Camus (review)

Jitney by August Wilson, and: Twelfth Night by William Shakespeare (review)

The Watering Hole by Lynn Nottage and Miranda Haymon (review)

Crave by Sarah Kane (review)

Welcome to the Shiva House by Benjamin Behrend and Logan Gabrielle Schulman (review)

Under the Sycamores by Les Hunter (review)

Women of Ciudad Juárez by Cristina Michaus (review)

Where We Belong by Madeline Sayet (review)

The Passion of Mary Cardwell Dawson by Sandra Seaton (review)

South Africa's National Arts Festival (review)

Sistuhs in the Struggle: an Oral History of Black Arts Movement Theater and Performance by La Donna L. Forsgren (review)

Staging Lives in Latin American Theater: Bodies, Objects, Archives by Paola S. Hernández (review)

¡Presente! the Politics of Presence by Diana Taylor (review)