Terkko Navigator / Slavic and East European Journal

RACIALIZATION AND RACE STUDIES IN RUSSIAN AND EASTERN EUROPEAN SCHOLARSHIP: INTRODUCTION.

COLD TO THE COLD WAR: RETHINKING THE "MORAL AUTHORITY" OF THE EASTERN EUROPEAN WRITER IN THE WEST.

UNWELCOME AT HOME: POLITICS OF RACE IN CRIMEA IN THE EARLY 1990S.

THE EAST WILL RISE AGAIN: THE VIOLENCE OF GONE WITH THE WIND.

THE "BLACK" MAN FROM NOWHERE: BLACKFACE IN -STALINIST CINEMA.

COLONIAL ENCOUNTERS IN THE OTHER EUROPE: LINGUISTIC RACIALIZATION IN A BORN-TRANSLATED SARAJEVAN NOVEL.

"HE'S NOT FROM OUR TRIBE!": JEWISH AND KABARDIAN IDENTITIES IN THE -SOVIET RUSSIAN SPACE(S) OF KANTEMIR BALAGOV'S CLOSENESS (TESNOTA, 2017).

PROFILE OF A K-12 RUSSIAN LANGUAGE PARTNERSHIP: CHALLENGES AND OBSERVATIONS.

LOCATING RUSSIA BETWEEN EAST AND WEST.

"THE CENTER FOR INFECTIOUS KINDNESS": TOLSTOY'S COMMUNAL KITCHENS AND MUTUAL AID.

KONSTANTIN BAL'MONT, JAPAN, AND THE POETICS OF IMPRESSIONABILITY.

“LAUGHING ALL THE WAY”: LAUGHTER AND IDENTITY IN KARAMZIN’S LETTERS OF A RUSSIAN TRAVELER.

“KLARA MILICH” AND THE TURGENEVIAN STATUE MYTH.

MEREZHKOVSKY AND NAPOLEON: RE-CREATING THE MYTH OF THE GREAT MAN.

BETWEEN EGYPT AND SEVILLE: MUSICAL ALLUSION IN MIKHAIL BULGAKOV’S A DOG’S HEART (1925).

THE MOST IMPORTANT THING IS TO REMAIN A HUMAN BEING: DECEMBRIST PROTEST, SOVIET LICHNOST', AND THE -1968 MASS-MARKET HISTORIES OF NATAN EIDELMAN AND BULAT OKUDZHAVA.

MOLDAVANKA ON THE MAGNITOFON: THE MUSIC OF ARKADII SEVERNYI AND SINGING THE STREETS“OLD ODESSA” IN THE SOVIET APARTMENT BLOCK.

THE IMMIGRANT’S RETURN: IVAN TAVČAR AND JOHN THATCHER.

THE DECLINE AND FALL OF PLOVDIV TYPEWRITERS: MEMENTO CORRUMPI AND THE CONTEMPORARY LEGACIES OF“ROBBER-SWINDLER” PRIVATIZATION IN BULGARIA.

Word Play: Experimental Poetry and Soviet Children’s Literature (Studies in Russian Literature and Theory).

Reframing Russian Modernism.

The Singer of Tales.

COUNTER MEDIA AND CULTURES OF RESISTANCE: -YUGOSLAV MEDIASCAPES THREE DECADES LATER: INTRODUCTION.

STICKING IT TO PATRIOTIC FASCISM: FERAL TRIBUNE AND ITS POLITICAL SATIRE, 1993-2008.

UNDERGROUNDŠIŠMIŠ RADIO.

NAŠA KRMAČA AND THE POLITICS OF HUMOR IN 1990s AND EARLY 2000s SERBIA.

DESIGN FOR A RADICAL DEMOCRACY: ARKZIN AS A VISIBLE COUNTERPUBLIC IN 1990S CROATIA.

RE(DE)FINING MASCULINITY: MAN AS MOTHER IN FUTURIST LITERATURE.

MEMORY AS FORTING IN THE PROSE FICTION OF SERHIY ZHADAN AND VOLODYMYR RAFIEIENKO.

WHERE THE BRIDGE CRUMBLES: THE OTHERING OF THE "GYPSIES" IN IVO ANDRIĆ'S THE BRIDGE ON THE DRINA.

ENGLISH IN MONTENEGRO: EXAMINING THE PERCEPTION OF ANGLICISMS AND THEIR EQUIVALENTS IN MONTENEGRIN.

"Quiet Spiders of the Hidden Soul": Mykola (Nik) Bazhan's Early Experimental Poetry.

Transformative Language Learning and Teaching.

And Thus You Are Everywhere Honored: Studies Dedicated to Brian D. Joseph.

Pelevin and Unfreedom: Poetics, Politics, Metaphysics.

Lali: Ema Lalaeva-Ediberidze.

Yellow Star, Red Star: Holocaust Remembrance After.

Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860-1940.

TRANSLITERATION.

LAUGHING STALINISM: THE FATE OF THE COMIC IN A TRAGIC AGE.

THE POLITICS OF DOSTOEVSKY’S RELIGION: NEMIROVICH-DANCHENKO’S 1913 NIKOLAI STAVROGIN.

OVERCOMING LINEAR PERSPECTIVE IN DOSTOEVSKY’S “DREAM OF A RIDICULOUS MAN”.

ASTRAL BODIES AND EXPLODED BODIES IN THE WORDS OF BELYI’S PETERSBURG.

MARINA TSVETAEVA AND VLADIMIR NABOKOV AS FRENCH TRANSLATORS OF PUSHKIN.

“KOFTA FATA”: MYTH, RITUAL, AND LABIALS.

THE GOLDEN COCKEREL IN WEIMAR BERLIN: EXILE, PERFORMANCE, AND FABULOUS DISSENT.

THE BUGULMA TALES: AUTHORSHIP AND AUTHORITY IN JAROSLAV HAŠEK’S STORIES FROM RUSSIA.

BEYOND A ZERO-SUM GAME: VISUAL PERCEPTION IN MIRON BIAŁOSZEWSKI’S PROSE.

IN MEMORIAM: GEORGE KALBOUSS (1939–2020).

Pushkin’s Monument and Allusion: Poem, Statue, Performance.