Terkko Navigator / Journal of visual culture

Themed Issue Introduction: Testifying to Violence Environmentally: Knowing, Sensing, Politicizing

Collective empiricism and the material witness

Digital witnessing and the erasure of the racialized subject

The absence of absence: of ekphrasis and blind witnessing

The memory of earth and land dispossession in Urabá

Life of Crops: Notes on Investigative Memorialisation

An unbound critical lived-built environment

Epilogue: turning around the right to look

Review: Julia Bryan-Wilson, Fray: Art and Textile Politics and Jessica Gerschultz, Decorative Arts of the TunisianÉcole: Fabrications of Modernism, Gender, and Power

Review: Aga Skrodzka, Xiaoning Lu and Katarzyna Marciniak (eds), The Oxford Handbook of Communist Visual Cultures

Review: Charles L Leavitt IV, Italian Neorealism: A Cultural History

The JVC Palestine Portfolio

Paper, glass, algorithm: teleprompters and the invisibility of screens

On nesting

The art of touch: lending a hand to the sighted majority

Blue like the Mediterranean: the work of the monochrome in the Atlas Group Archive

Safety Orange

Where Blackness dies: the aesthetics of a massacre and the violence of remembering

‘Architecture is forever unfinished’

The media turn in African environmentalism: the Niger Delta and oil’s network forms

The crystal reveals the whole: medieval dreamscapes and cinematic space as virtual media

Julia Adeney Thomas and Geoff Eley (eds), Visualizing Fascism: The Twentieth-Century Rise of the Global Right, reviewed by Mark Antliff

Jan Baetens, Une fille comme toi and The Film Photonovel: J A Cultural History of Forgotten Adaptations, reviewed by Susana S Martins

Christoph Cox, Sonic Flux: Sound, Art, and Metaphysics, reviewed by Dann Disciglio

Introduction: touch, click and motion: archaeologies of fashion film after digital culture

Excavating fashion film: a media archaeological perspective

Sewing machines and weaving looms: a media archaeological encounter between fashion and film

Screenic fashion: horizontality, minimal materiality and manual operation

Colour, movement and modernity in Sonia Delaunay’s (1926) fashion film

After fashion film: social video and brand content in the influencer economy

Review: Alice Gorman, Dr Space Junk vs. the Universe: Archaeology and the Future

Review: Dan Karlholm and Keith Moxey (eds) Time in the History of Art: Temporality, Chronology and Anachrony

Review: Frances Guerin (ed.), On Not Looking: The Paradox of Contemporary Visual Culture

Review: Gilles Deleuze, Letters and Other Texts, David Lapoujade (ed.), trans. Ames Hodges

Prismatic views: a look at the growing field of transgender art and visual culture studies

The wavering line of foreground and background: a proposal for the schematic analysis of trans visual culture

Marie Høeg’s worldmaking photography: a photo essay

Familiar grammars of loss and belonging: curating trans kinship in post-dictatorship Argentina

The diversity of the middle: mythology in intersectional trans representation

Decolonizing objecthood through 2SQ Indigenous art: Dayna Danger and Jeneen Frei Njootli’s performance, ‘Chases and Tacks’

Pretty in pink: David Antonio Cruz’s portrait of the florida girls

‘I’m a person who loves beautiful things’: Potassa de Lafayette as model and muse

Trans men’s stealth aesthetics: navigating penile prosthetics and ‘gender fraud’

On Jesse Darling

Surviving in the shadow of the un/seen: on the paradoxical in/visibility of El Kazovsky

‘I do not want to pass’: embodiment, metaphor, and world-making in Patrick Staff’s Weed Killer

Chasing Charley, finding Reed: reaching toward the ghosts of the archive

Review: Dominic Johnson, Unlimited Action: The Performance of Extremity in the 1970s

Review: Joan Kee, Models of Integrity: Art and Law in Post-Sixties America

Review: Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire