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“Darkness is the degree to which the state can have their way with you”: A Conversation between Artist, Curator, and Writer Christopher Cozier and Sean MetzgerTheatre Journal1 daysaveRefWorksSFX Info
Hands Up, Don’t Shoot: “Suicide,” Black Gun Ownership, and Restoring Black Masculinity on Black Arts Movement StagesTheatre Journal1 daysaveRefWorksSFX Info
Remote CTRL: Rehearsing Performative Ethics in Theatres of Contemporary WarTheatre Journal1 daysaveRefWorksSFX Info
Hired Guns: Whiteness, Womanhood, and Progressive-era Shooting PromotersTheatre Journal1 daysaveRefWorksSFX Info
Blindness (review)Theatre Journal1 daysaveRefWorksSFX Info
La Dama Boba by Lope de Vega (review)Theatre Journal1 daysaveRefWorksSFX Info
How To Catch Creation by Christina Anderson (review)Theatre Journal1 daysaveRefWorksSFX Info
Tosca by Giacomo Puccini (review)Theatre Journal1 daysaveRefWorksSFX Info
Happy Days by Samuel Beckett (review)Theatre Journal1 daysaveRefWorksSFX Info
MSH Zanbek (Not Your Fault) (review)Theatre Journal1 daysaveRefWorksSFX Info
Safe House by Brendan Ragan (review)Theatre Journal1 daysaveRefWorksSFX Info
AIDA by Giuseppe Verdi and Antonio Ghislanzoni (review)Theatre Journal1 daysaveRefWorksSFX Info
Disclaimer by Tara Ahmadinejad (review)Theatre Journal1 daysaveRefWorksSFX Info
Chang And Eng And Me (And Me) by Tobi Poster-Su (review)Theatre Journal1 daysaveRefWorksSFX Info
A Phone Call (review)Theatre Journal1 daysaveRefWorksSFX Info
LOST (1.5 m) by Cordula Däuper and Johannes Müller (review)Theatre Journal1 daysaveRefWorksSFX Info
In & Of Itself by Derek DelGaudio (review)Theatre Journal1 daysaveRefWorksSFX Info
Addiction and Devotion in Early Modern England by Rebecca Lemon (review)Theatre Journal1 daysaveRefWorksSFX Info
Staging Personhood: Costuming In Early Qing Drama by Guojun Wang (review)Theatre Journal1 daysaveRefWorksSFX Info
Resurrecting The First Great American Play: Imperial Politics And Colonial Ambitions In Frontier Detroit by Sämi Ludwig (review)Theatre Journal1 daysaveRefWorksSFX Info
Dramatic Justice: Trial By Theatre In The Age Of The French Revolution by Yann Robert (review)Theatre Journal1 daysaveRefWorksSFX Info
Uncrossing The Borders: Performing Chinese in Gendered (Trans) Nationalism by Daphne P. Lei (review)Theatre Journal1 daysaveRefWorksSFX Info
Copyright and the Value of Performance, 1770–1911 by Derek Miller (review)Theatre Journal1 daysaveRefWorksSFX Info
Here In This Island We Arrived: Shakespeare and Belonging in Immigrant New York by Elisabeth H. Kinsley (review)Theatre Journal1 daysaveRefWorksSFX Info
British Radio Drama, 1945–63 by Hugh Chignell (review)Theatre Journal1 daysaveRefWorksSFX Info
Performing Flight: From Barnstormers To Space Tourism by Scott Magelssen (review)Theatre Journal1 daysaveRefWorksSFX Info
Flexible Bodies: British South Asian Dancers In An Age Of Neoliberalism by Anusha Kedhar (review)Theatre Journal1 daysaveRefWorksSFX Info
Performance and the Afterlives of Injustice: Dance and Live Art in Contemporary South Africa and Beyond by Catherine M. Cole (review)Theatre Journal1 daysaveRefWorksSFX Info
The Interdisciplinary Theatre of Ping Chong: Exploring Curiosity and Otherness on Stage by Yuko Kurahashi (review)Theatre Journal1 daysaveRefWorksSFX Info
Staging Process: The Aesthetic Politics of Collective Performance by Rachel Anderson-Rabern (review)Theatre Journal1 daysaveRefWorksSFX Info
The Bodies of Others: Drag Dances and Their Afterlives by Selby Wynn Schwartz (review)Theatre Journal1 daysaveRefWorksSFX Info
Performing Specimens: Contemporary Performance and Biomedical Display by Gianna Bouchard (review)Theatre Journal1 daysaveRefWorksSFX Info
Restaging Feminisms by Elaine Aston (review)Theatre Journal1 daysaveRefWorksSFX Info
Shakespeare, Technicity, Theatre by W. B. Worthen (review)Theatre Journal1 daysaveRefWorksSFX Info
Privileged Spectatorship: Theatrical Interventions in White Supremacy by Dani Snyder-Young (review)Theatre Journal1 daysaveRefWorksSFX Info
Futures of Dance Studies ed. by Susan Manning, Janice Ross, and Rebecca Schneider (review)Theatre Journal1 daysaveRefWorksSFX Info
Editorial Comment: ShootingTheatre Journal1 daysaveRefWorksSFX Info
Dramaturgies of Policing: Performance Theory, Police Violence, and the Limits of AccountabilityTheatre Journal1 daysaveRefWorksSFX Info
INDEX TO VOLUME 73Theatre Journal1 daysaveRefWorksSFX Info
Performing Left and RightTheatre Journal114 dayssaveRefWorksSFX Info
Editorial Comment: On the Possibilities of AI, Performance Studies, and Digital CohabitationTheatre Journal114 dayssaveRefWorksSFX Info
Discovering New Stories in What AI Doesn't Know: An Interview with Audiovisual Performance Artist Debashis SinhaTheatre Journal114 dayssaveRefWorksSFX Info
Theatres of Artificial Intelligence and the Overlooked Performances of ComputingTheatre Journal114 dayssaveRefWorksSFX Info
"I'm like a wise little person": Notes on the Metal Performance of Woebot the Mental Health ChatbotTheatre Journal114 dayssaveRefWorksSFX Info
The Nonmaterial Mirror: Performing Vibrant Abstractions in AI NetworksTheatre Journal114 dayssaveRefWorksSFX Info
Human Objecthood in the Datasphere: The Body as Resistant Material in Twenty-First-Century MediaTheatre Journal114 dayssaveRefWorksSFX Info
Scripting Control: Computer Choreography and Neoliberal PerformanceTheatre Journal114 dayssaveRefWorksSFX Info
Performing the Glitch: AI Animatronics, Android Scenarios, and the Human BiasTheatre Journal114 dayssaveRefWorksSFX Info
Theatre, Science Fiction, and Care Robots: Embodying Contemporary Experiences of CareTheatre Journal114 dayssaveRefWorksSFX Info
Grief Machines: Transhumanist Theatre, Digital Performance, Pandemic TimeTheatre Journal114 dayssaveRefWorksSFX Info
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