| Do-It-Yourself white supremacy: Linking together punk rock and white power | Poetics | 16 hours | save |  |  |  |  |
| Witnessing Oka Apesvchi / Protecting the Water | Theatre Journal | 20 hours | save | | | | |
| Editorial Comment | Theatre Journal | 20 hours | save | | | | |
| Performance, Climate, and Critical Art | Theatre Journal | 20 hours | save | | | | |
| Oka Apesvchi: Indigenous Feminism, Performance, and Protest | Theatre Journal | 20 hours | save | | | | |
| Queer and Indigenous Art: Performing Ice Times in Climate Crisis | Theatre Journal | 20 hours | save | | | | |
| Performing "Aume": Artaud's Body Art | Theatre Journal | 20 hours | save | | | | |
| Freedom in the Marketplace: Staging Defector Narratives in Mia Chung's You for Me for You and Kim Eunsung's Sister Mokrahn | Theatre Journal | 20 hours | save | | | | |
| Architecture, Infrastructure, and Urban Performance in Hong Kong | Theatre Journal | 20 hours | save | | | | |
| A Strange Loop by Michael R. Jackson (review) | Theatre Journal | 20 hours | save | | | | |
| Oregon Shakespeare Festival (review) | Theatre Journal | 20 hours | save | | | | |
| Scenes From 71* Years by Hannah Khalil (review) | Theatre Journal | 20 hours | save | | | | |
| Holland Festival 2019 (review) | Theatre Journal | 20 hours | save | | | | |
| School Girls, or, the African Mean Girls Play by Jocelyn Bioh (review) | Theatre Journal | 20 hours | save | | | | |
| Treasure Island by Michael Gene Sullivan (review) | Theatre Journal | 20 hours | save | | | | |
| The Ebonic Woman by Ryan Landry (review) | Theatre Journal | 20 hours | save | | | | |
| Summerfolk by Maxim Gorky, and: Youth Without God by Thomas Ostermeier and Florian Borchmeyer (review) | Theatre Journal | 20 hours | save | | | | |
| The Second Woman by John Cassavetes, and: What if they Went to Moscow? by Anton Chekhov (review) | Theatre Journal | 20 hours | save | | | | |
| Gary: A Sequel to Titus Andronicus by Taylor Mac (review) | Theatre Journal | 20 hours | save | | | | |
| Der Kirschgarten (The Cherry Orchard) by Anton Chekhov (review) | Theatre Journal | 20 hours | save | | | | |
| Borderlight International Theatre + Fringe Festival (review) | Theatre Journal | 20 hours | save | | | | |
| Slave Play by Jeremy O. Harris (review) | Theatre Journal | 20 hours | save | | | | |
| Titus Andronicus: the State of Play ed. by Farah Karim-Cooper (review) | Theatre Journal | 20 hours | save | | | | |
| Gaming the Stage: Playable Media and the Rise of English Commercial Theater by Gina Bloom (review) | Theatre Journal | 20 hours | save | | | | |
| Theatres of Feeling: Affect, Performance, and the Eighteenth-Century Stage by Jean I. Marsden (review) | Theatre Journal | 20 hours | save | | | | |
| Gender and Religious life in French Revolutionary Drama by Annelle Curulla (review) | Theatre Journal | 20 hours | save | | | | |
| Spectacular Men: Race, Gender, and Nation on the Early American Stage by Sarah E. Chinn (review) | Theatre Journal | 20 hours | save | | | | |
| Uncle Tom's Cabins: the Transnational History of America's Most Mutable BOOK ed. by Tracy C. Davis and Stefka Mihaylova (review) | Theatre Journal | 20 hours | save | | | | |
| Microdramas: Crucibles for Theater and Time by John H. Muse (review) | Theatre Journal | 20 hours | save | | | | |
| The Polish Theatre of the Holo Caust by Grzegorz Niziołek (review) | Theatre Journal | 20 hours | save | | | | |
| Shakespeare in the Theatre: Peter Hall by Stuart Hampton-Reeves (review) | Theatre Journal | 20 hours | save | | | | |
| Postdramatic Theatre and Form ed. by Michael Shane Boyle, Matt Cornish, and Brandon Woolf (review) | Theatre Journal | 20 hours | save | | | | |
| Moving Otherwise: Dance, Violence, and Memory in Buenos Aires by Victoria Fortuna (review) | Theatre Journal | 20 hours | save | | | | |
| Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Québec by Julie Burelle (review) | Theatre Journal | 20 hours | save | | | | |
| A canon of one's own: A comparative analysis of cultural production in gastronomy and the visual arts | Poetics | 5 days | save | | | | |
| Does popular culture bridge cultural holes? A study of a literary taste system using unimodal network projections | Poetics | 6 days | save | | | | |
| Double standards in the accumulation and utilisation of ‘aesthetic capital’ | Poetics | 29 days | save | | | | |
| Accidental environmentalist or ethical elite? The moral dimensions of environmental impact | Poetics | 36 days | save | | | | |
| Introduction | Performance Research | 39 days | save | | | | |
| My Sweet Disposability, Oh, Bury the Living and Unearth the Dead | Performance Research | 39 days | save | | | | |
| Plastiglomerates, Microplastics, Nanoplastics | Performance Research | 39 days | save | | | | |
| Choreographic Architecture and Vital Knowledge | Performance Research | 39 days | save | | | | |
| Estado Vegetal, a Gesture of Imitation | Performance Research | 39 days | save | | | | |
| ‘A Twisted, Looping Form’ | Performance Research | 39 days | save | | | | |
| Black-Light Ecologies | Performance Research | 39 days | save | | | | |
| Choreographies of Mourning | Performance Research | 39 days | save | | | | |
| Embodying Climate Change | Performance Research | 39 days | save | | | | |
| Hau | Performance Research | 39 days | save | | | | |
| ‘Global Weirding’ | Performance Research | 39 days | save | | | | |
| ‘Dark Choreography’ of the Johannesburg Holocaust and Genocide Centre | Performance Research | 39 days | save | | | | |
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