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“Darkness is the degree to which the state can have their way with you”: A Conversation between Artist, Curator, and Writer Christopher Cozier and Sean MetzgerTheatre Journal1 daysaveRefWorksSFX Info
Hands Up, Don’t Shoot: “Suicide,” Black Gun Ownership, and Restoring Black Masculinity on Black Arts Movement StagesTheatre Journal1 daysaveRefWorksSFX Info
Remote CTRL: Rehearsing Performative Ethics in Theatres of Contemporary WarTheatre Journal1 daysaveRefWorksSFX Info
Hired Guns: Whiteness, Womanhood, and Progressive-era Shooting PromotersTheatre Journal1 daysaveRefWorksSFX Info
Blindness (review)Theatre Journal1 daysaveRefWorksSFX Info
La Dama Boba by Lope de Vega (review)Theatre Journal1 daysaveRefWorksSFX Info
How To Catch Creation by Christina Anderson (review)Theatre Journal1 daysaveRefWorksSFX Info
Tosca by Giacomo Puccini (review)Theatre Journal1 daysaveRefWorksSFX Info
Happy Days by Samuel Beckett (review)Theatre Journal1 daysaveRefWorksSFX Info
MSH Zanbek (Not Your Fault) (review)Theatre Journal1 daysaveRefWorksSFX Info
Safe House by Brendan Ragan (review)Theatre Journal1 daysaveRefWorksSFX Info
AIDA by Giuseppe Verdi and Antonio Ghislanzoni (review)Theatre Journal1 daysaveRefWorksSFX Info
Disclaimer by Tara Ahmadinejad (review)Theatre Journal1 daysaveRefWorksSFX Info
Chang And Eng And Me (And Me) by Tobi Poster-Su (review)Theatre Journal1 daysaveRefWorksSFX Info
A Phone Call (review)Theatre Journal1 daysaveRefWorksSFX Info
LOST (1.5 m) by Cordula Däuper and Johannes Müller (review)Theatre Journal1 daysaveRefWorksSFX Info
In & Of Itself by Derek DelGaudio (review)Theatre Journal1 daysaveRefWorksSFX Info
Addiction and Devotion in Early Modern England by Rebecca Lemon (review)Theatre Journal1 daysaveRefWorksSFX Info
Staging Personhood: Costuming In Early Qing Drama by Guojun Wang (review)Theatre Journal1 daysaveRefWorksSFX Info
Resurrecting The First Great American Play: Imperial Politics And Colonial Ambitions In Frontier Detroit by Sämi Ludwig (review)Theatre Journal1 daysaveRefWorksSFX Info
Dramatic Justice: Trial By Theatre In The Age Of The French Revolution by Yann Robert (review)Theatre Journal1 daysaveRefWorksSFX Info
Uncrossing The Borders: Performing Chinese in Gendered (Trans) Nationalism by Daphne P. Lei (review)Theatre Journal1 daysaveRefWorksSFX Info
Copyright and the Value of Performance, 1770–1911 by Derek Miller (review)Theatre Journal1 daysaveRefWorksSFX Info
Here In This Island We Arrived: Shakespeare and Belonging in Immigrant New York by Elisabeth H. Kinsley (review)Theatre Journal1 daysaveRefWorksSFX Info
British Radio Drama, 1945–63 by Hugh Chignell (review)Theatre Journal1 daysaveRefWorksSFX Info
Performing Flight: From Barnstormers To Space Tourism by Scott Magelssen (review)Theatre Journal1 daysaveRefWorksSFX Info
Flexible Bodies: British South Asian Dancers In An Age Of Neoliberalism by Anusha Kedhar (review)Theatre Journal1 daysaveRefWorksSFX Info
Performance and the Afterlives of Injustice: Dance and Live Art in Contemporary South Africa and Beyond by Catherine M. Cole (review)Theatre Journal1 daysaveRefWorksSFX Info
The Interdisciplinary Theatre of Ping Chong: Exploring Curiosity and Otherness on Stage by Yuko Kurahashi (review)Theatre Journal1 daysaveRefWorksSFX Info
Staging Process: The Aesthetic Politics of Collective Performance by Rachel Anderson-Rabern (review)Theatre Journal1 daysaveRefWorksSFX Info
The Bodies of Others: Drag Dances and Their Afterlives by Selby Wynn Schwartz (review)Theatre Journal1 daysaveRefWorksSFX Info
Performing Specimens: Contemporary Performance and Biomedical Display by Gianna Bouchard (review)Theatre Journal1 daysaveRefWorksSFX Info
Restaging Feminisms by Elaine Aston (review)Theatre Journal1 daysaveRefWorksSFX Info
Shakespeare, Technicity, Theatre by W. B. Worthen (review)Theatre Journal1 daysaveRefWorksSFX Info
Privileged Spectatorship: Theatrical Interventions in White Supremacy by Dani Snyder-Young (review)Theatre Journal1 daysaveRefWorksSFX Info
Futures of Dance Studies ed. by Susan Manning, Janice Ross, and Rebecca Schneider (review)Theatre Journal1 daysaveRefWorksSFX Info
Editorial Comment: ShootingTheatre Journal1 daysaveRefWorksSFX Info
Dramaturgies of Policing: Performance Theory, Police Violence, and the Limits of AccountabilityTheatre Journal1 daysaveRefWorksSFX Info
INDEX TO VOLUME 73Theatre Journal1 daysaveRefWorksSFX Info
Lost and Found Property: Evaluating Efforts to Resurrect and Resuscitate‘Institutionalised Garbage’ in Post‐Colonial Zimbabwean MuseumsCurator2 dayssaveRefWorksSFX Info
Editorial: On PerceptionPerformance Research19 dayssaveRefWorksSFX Info
Into the Nebula: Embodied perception of scenography in virtual environmentsPerformance Research19 dayssaveRefWorksSFX Info
Interoceptive Dramaturgies of‘Surrogate-selves’ in Performative VR ExperiencesPerformance Research19 dayssaveRefWorksSFX Info
Fracturing Patriarchal Objectivity through Electro-Pop: Purity Ring and the vicissitudes of sightPerformance Research19 dayssaveRefWorksSFX Info
Perceiving, Navigating and Inhabiting: Performance design through sonic strategiesPerformance Research19 dayssaveRefWorksSFX Info
The Dancer–Drummer–Drum Body: Expanding corporeal experiences through improvisation in black dancePerformance Research19 dayssaveRefWorksSFX Info
A Dramaturgy of Feeling: Exploring Indigenous concepts of knowing through multimodal aestheticsPerformance Research19 dayssaveRefWorksSFX Info
Moving across the Terrain: Perceiving and performing the landscapePerformance Research19 dayssaveRefWorksSFX Info
Dining in Prison: Sensory framing and performative perception in Rideout’s Past TimePerformance Research19 dayssaveRefWorksSFX Info
On the Edge of the Perceptible: Microacting, imaginary worlds and cognitive estrangement in virtual performancePerformance Research19 dayssaveRefWorksSFX Info
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