Terkko Navigator / Ethnomusicology Forum

Editorial

Introduction

Towards practice research in ethnomusicology

Valuing and evaluating musical practice as research in ethnomusicology and its implications for research assessment

Towards decolonial pedagogies of world music

Centring embodied practice in African music studies: creative alternatives

The making of a successful Chinese instrumentalist in the West: a case study of the pipa player Wu Man

‘You are part of the club’: negotiating the field as a musician–ethnomusicologist

Mindful playing: a practice research investigation into shakuhachi playing and meditation

A musico-choreographic analysis of a Cuban dance routine: a performance-informed approach

Musicians in crisis: working and playing in the Greek popular music industry

The folk: music, modernity, and the political imagination

Sāraṅgī style in Hindustani music

Organonscape, geography, and aural spaces of kemençe in and around Trabzon

Pop goes the postcolony: Britain remixes Hugh Tracey’s Malawi

Celtic music and dance in Cornwall: cornu-copia

Performing environmentalisms: expressive culture and ecological change

Tobar an Dualchais/Kist o Riches.

Sounding Jewish in Berlin: klezmer music and the contemporary city

Improvising sabor: Cuban dance music in New York

Editorial

Sideways nostalgia, adopted republicanism and the performance of Irish rebel songs in the GDR

Violeta Parra: musical and political legacy of a cantora

Editorial

Music and sound in times of violence, displacement and conflict

Editorial

Special issue: Decolonising music and music studies

British ethnomusicology in the #BlackLivesMatter era: some (auto-ethnographic) reflections

Rethinking the decolonial moment through collaborative practices at the International Library of African Music (ILAM), South Africa

Reshaping our musical values: decolonising teaching and curricular frameworks in the Eastern Cape

A collaborative approach to revitalisation and the repatriation of isiXhosa music recordings archived at the International Library of African Music (ILAM) in South Africa

A view from below: some thoughts on musicology and EDI work as acts of care

Analysing Indian Ocean’s Kandisa: a dialogue with decolonisation

Teaching ethnomusicology in times of trouble: a perspective from Johannesburg, South Africa

Decolonising Andean and Peruvian music: a view from within

Whose decolonisation? Checking for intersectionality, lane-policing and academic privilege from a transnational (Chinese) vantage point

Scottish dance beyond 1805: reaction and regulation

Sailor Song: The Shanties and Ballads of the High Seas; Boxing the Compass: A Century and a Half of Discourse About Sailor's Chanties

Audiovisual ethnomusicology: filming musical cultures

Decomposed: the political ecology of music

When the trees resound. Collaborative media research on an Italian festival

Mapping with/in: hearing power in Yokuts landscapes at the beginning of the twentieth century

Migration, music and the mobile phone: a case study in technology and socio-economic justice in Sicily

Extreme exoticism: Japan in the American musical imagination

‘I thought it was a song but it turned out to be a siren’: civilian listening during wartime in Israel

‘The house of the Irish’: African migrant musicians and the creation of diasporic space at night

A cry for Palestine: vocal practice and imaginaries of Palestinian-ness among Chilean football supporters of Club Deportivo Palestino

Sonic witnesses: music, testimony, and truth

Making subjects grievable: narco rap, moral ambivalence and ethical sense making

The musical human: a history of life on earth