Moving color : early film, mass culture, modernism
Color cinematography Colorization of motion pictures Colors in motion pictures Silent films Colors Motion pictures e-böcker Criticism, interpretation, etc History
Rutgers University Press
2012
EISBN 9780813552965
Foreword / by Paolo Cherchi Usai.
Introduction.
The colors of modernity.
Hand coloring and the intermediality of the cinema.
Transformation and uplift: stenciling, tinting, and toning.
Color cinema, from gentility to abstraction.
Conclusion.
Moving Color is the first book-length study of the beginnings of color cinema. It traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century and explores the implications of this genealogy on experimental and contemporary digital cinemas.
Introduction.
The colors of modernity.
Hand coloring and the intermediality of the cinema.
Transformation and uplift: stenciling, tinting, and toning.
Color cinema, from gentility to abstraction.
Conclusion.
Moving Color is the first book-length study of the beginnings of color cinema. It traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century and explores the implications of this genealogy on experimental and contemporary digital cinemas.
