Indian angles : English verse in colonial India from Jones to Tagore
Anglo-Indian poetry Colonies in literature Indic poetry (English) India POETRY sähkökirjat
Ohio University Press
2011
EISBN 9780821443583
Introduction.
Part One. Languages, tropes, and landscape in the beginnings of English language poetry: Contact poetics in eighteenth-century Calcutta: Sir William Jones, John Horsford, and Anna Maria; Bards and sybils: landscape, gender, and the culture of dispute in the poems of H.L.V. Derozio and Emma Roberts.
Part two. The institutions of colonial mimesis, 1830/1857: Books, reading, and the profession of letters: David Lester Richardson and the construction of a British canon in India; sighing, or not, for albion: Kasiprasad Ghosh, Michael Madhusudan Dutt, and Mary Carshore.
Part three. Nationalisms, religion, and aestheticism in the late nineteenth century: From Christian piety to cosmopolitan nationalisms: the Dutt family album and the poems of Mary E. Leslie and Toru Dutt; cosmopolitanism, nationalism, and aestheticism in fin-de-siècle London: Manmohan Ghose, Sarojini Naidu, and Rabindranath Tagore.
Part One. Languages, tropes, and landscape in the beginnings of English language poetry: Contact poetics in eighteenth-century Calcutta: Sir William Jones, John Horsford, and Anna Maria; Bards and sybils: landscape, gender, and the culture of dispute in the poems of H.L.V. Derozio and Emma Roberts.
Part two. The institutions of colonial mimesis, 1830/1857: Books, reading, and the profession of letters: David Lester Richardson and the construction of a British canon in India; sighing, or not, for albion: Kasiprasad Ghosh, Michael Madhusudan Dutt, and Mary Carshore.
Part three. Nationalisms, religion, and aestheticism in the late nineteenth century: From Christian piety to cosmopolitan nationalisms: the Dutt family album and the poems of Mary E. Leslie and Toru Dutt; cosmopolitanism, nationalism, and aestheticism in fin-de-siècle London: Manmohan Ghose, Sarojini Naidu, and Rabindranath Tagore.
