American drama/critics : writings and readings
American drama Dramatic criticism American drama -- 20th century -- History and criticism American drama -- Film adaptations Dramatic criticism -- United States DRAMA / American Criticism, interpretation, etc Film adaptations sähkökirjat
Cambridge Scholars
2007
EISBN 9781282191136
Realism, Naturalism, Modern American drama and modern American dramatic criticism.
Global futurism, Divine comedy, Greek tragedy ... and The hairy ape.
The Front page, farce, and American comedy.
On the road to tragedy: mice, land, and candy in Of mice and men.
Whose town is it, and whither goes it?: an historico-aesthetic, comparative-influential inquiry into Our town.
The unbearable light-ness of being: Gertrude Stein's Doctor Faustus lights the lights in the light of the twentieth century.
The blue rose of St. Louis: Laura, Romanticism, and The glass menagerie.
Death of a salesman, life of a Jew: ethnicity, business, and the character of Willy Loman.
Sam Shepard and the "buried" domestic drama of Buried child.
American drama/American film: the cases of Way down East, The little foxes, and Edmond.
David Mamet, Glengarry Glen Ross, and selling in American drama.
Theater chronicle: the real thing.
Richard Gilman, American theater critic: an appreciation.
On criticism: an exchange with Eric Bentley.
Homage to Stark Young, 1881-1963.
Theater (criticism) in America: an interview with Stanley Kauffmann.
American dramaturgy: a re-appraisal.
Performance art vs. Performed drama: experimental playwriting and production in the United States.
"American Drama/Critics: Writings and Readings" is a collection of essays on acknowledged classics of American drama such as "Death of a Salesman," "The Glass Menagerie," and "Our Town," and on newer but no less esteemed works like David Mamet's "Glengar.
Global futurism, Divine comedy, Greek tragedy ... and The hairy ape.
The Front page, farce, and American comedy.
On the road to tragedy: mice, land, and candy in Of mice and men.
Whose town is it, and whither goes it?: an historico-aesthetic, comparative-influential inquiry into Our town.
The unbearable light-ness of being: Gertrude Stein's Doctor Faustus lights the lights in the light of the twentieth century.
The blue rose of St. Louis: Laura, Romanticism, and The glass menagerie.
Death of a salesman, life of a Jew: ethnicity, business, and the character of Willy Loman.
Sam Shepard and the "buried" domestic drama of Buried child.
American drama/American film: the cases of Way down East, The little foxes, and Edmond.
David Mamet, Glengarry Glen Ross, and selling in American drama.
Theater chronicle: the real thing.
Richard Gilman, American theater critic: an appreciation.
On criticism: an exchange with Eric Bentley.
Homage to Stark Young, 1881-1963.
Theater (criticism) in America: an interview with Stanley Kauffmann.
American dramaturgy: a re-appraisal.
Performance art vs. Performed drama: experimental playwriting and production in the United States.
"American Drama/Critics: Writings and Readings" is a collection of essays on acknowledged classics of American drama such as "Death of a Salesman," "The Glass Menagerie," and "Our Town," and on newer but no less esteemed works like David Mamet's "Glengar.
